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- The Kolle family, including parents and children, appears nude discussing sex education topics like masturbation, the Oedipus complex, and individual approaches without explicit details.
- In a tin box, 7-year-old instant kid Konrad is brought into the house of the painter Bartolotti, due to a computer error. Not only that she didn't want a child, such a good and polite one as Konrad wouldn't even have come to her in a dream.
- Martin Bruhl is an investigator who is able to solve the most complex crimes, but who also cannot eat or sleep until he's done so. When a young child is kidnapped, Martin, despite the sleeplessness, is still possibly the only one who can help.
- 'The Other Child' is an adaptation of the Charlotte Link novel, set in both modern day and war-time Scarborough. When twelve year old Fiona Barnes is evacuated from London during the Blitz, she ends up on a remote farm in Scarborough where she meets, and falls in love with, the idealistic and patriotic son of her host family; Chad Beckett. Fiona is joined on the farm by a young autistic boy, Brian Sommerville, who has been orphaned in the bombing of London. Forming a strong emotional attachment to Fiona, Brian is seen as little more than irritant by Fiona and Chad as their love blossoms, but is cared for by Mrs Beckett until her death through illness. With Chad finally being drafted to fight abroad, and Fiona briefly at home in London visiting her Mother, Brian is allowed to leave the relative safety of the farm to live, and work, in squalor at a neighbouring farm owned by a notoriously abusive and uncaring McBright. Upon learning of Brian's fate, Fiona and Chad do nothing to rescue him - a decision which drives them apart through guilt and which will haunt them both throughout their lives. When events in the modern day threaten to have far reaching consequences for their children - Old Fiona and Chad are thrown together again. Chad, now seemingly resigned to his fate, sits mute and immobile whilst Fiona attempts to avoid the mistakes of their past
- A dead infant is found in a car park near Kiel. Everyone concerned is driven by the search for perfect happiness, which in the end turns out to be a deadly trap.
- Soccer. Willi Kuckuck wants to save his club. He uses all sorts of fictitious tricks for this. Until the end of the whole dizziness flies up.
- Cem is a devoted imam, living in Hannover with his wife Sehra and daughter Hanna. The couple is mid-life and is living mid-culture between Turkish and German norms and values. A new friend to the family, however, raises almost forgotten doubts and conflicts over faith, homeland and family. When a fight with the grand parents over custody of the child breaks out, it almost tears the family apart.
- Murder of 18-year-old brings two investigators together for the first time. A piece of evidence leads to a missing person case four years ago. Investigations were led by Irene Gaup, with old and new questions arising.
- Carlos Benede is an inspector in the victim-protection unit. He must care for 11-year-old Alexander, whose father killed his mother in front of him. Alexander must testify as a witness in court and his father is sent to jail. During the trial, Alexander builds up an intense relationship with Carlos and wishes to stay with him instead of his alcoholic auntie. Is single, childless Carlos ready to take over this huge responsibility?
- Austria. Its the end of the XIXth Century. His name is Alois. He waits in fearful agony for the dramatic birth of his child. He is ignorant of the dark future that the birth would bring to humanity. History always has a beginning.
- Love is diverse and complicated, sensual and erotic, selfish, selfless, passionate, tender, painful - all regardless of whether it is reciprocated or not. Love is a wide field. The author team Frank Diederichs, Annebeth Jacobsen and Achim Scheunert set out through the vast landscapes of love. Emmy award winner Anna Schudt lends her voice to the mini-series. Love is diverse and complicated, sensual and erotic, selfish, selfless, passionate, tender, painful - all regardless of whether it is reciprocated or not. Love is a wide field. The author team Frank Diederichs, Annebeth Jacobsen and Achim Scheunert set out through the vast landscapes of love. Emmy award winner Anna Schudt lends her voice to the mini-series How do we want to love? In episode 1 "The Child of Freedom" we try to liberate love. People who are searching for true, fair and free love in the name of love, freedom and equality tell us their stories. A long and often arduous path that has had to be traveled again and again for generations. Among others, at an international sex-positive event in Berlin, we find it - this free love, or at least free lust. Gretchen Dutschke-Klotz - feminist, former student protester and widow of Rudi Dutschke - can also tell us about her and Rudi's path to freer love. Through her and many other protagonists, we approach love as the "child of freedom". The three-part series is a BROADVIEW TV production. Editors for ZDF/ARTE are Shila Behjat and Wolfgang Bergmann, producers for BROADVIEW TV are Britta Luckas and Franziska Rempe. Producer is Emmy award winner Leopold Hoesch.
- There is no day of rest in the Hamburg neighborhood between Sternschanze and Reeperbahn. Pastor Stefan Book from the St. Pauli Congregation know all about this: First the indestructible clergyman must prevent his sexton Eddi from jumping out of the church tower window; then he learns that 81-year-old Rosi is dying. As a housekeeper, she had been the good soul of the infamous Herbertstrasse for decades. Now it seems her time has come--but for some reason Rosi cannot let go of life yet. A small ray of hope is Book's new vicar, young Anke Bertram. She ended up in St. Pauli only because of a mix-up and wants to leave the desolate Kiez community, but Book's genuine kindness and people's problems awaken her idealism just when it's urgently needed: 16-year-old confirmand Paloma is heavily pregnant, having secretly gotten closer to 16-year-old Winni during the confirmation excursion; Willi's strict father files a complaint against the pastor for pimping. The youth welfare office is also interested in the case: they want to take the baby as soon as it's born because Paloma lives with her alcoholic mother in a not-so-great neighborhood and is not considered reliable. To prevent this, Book makes himself available as a private guardian: He takes in the new parents and gives them guidance with the active support of his partner Sabine. Book's sister, policewoman Rita, doesn't really believe in success, but at first the plan seems to work: Paloma and Winni are devoted to taking care of their little daughter. But soon the burden becomes too great for Paloma and she wants her carefree life back. In desperation she gets involved in a momentous deal with rascally Luden Bodo. At the last moment, Pastor Book and Rita try to prevent the worst--but it seems too late.
- Irma and her son Andre undertake an intimate journey across Europe, searching memories of events occurred long ago, as well as History, Irma remaining, to this day, the last witness.
- Ernest Schiller, a wealthy merchant, has the cherished ambition to secure as his son-in-law the Count De Grechy, a member of the nobility. His ambition is about to be realized, for the Count has accepted an urgent invitation to be Schiller's guest. His arrival is hailed with delight by the merchant, who offers the freedom of his home. Bertha, Schiller's daughter, does not experience the same enthusiasm which is manifested by her father. The reason for this is that she has pledged her heart and hand to Franz Rambauld, her sweetheart. The Count's attentions, therefore, are greatly distressing to Bertha. Nevertheless, through her father's insistence, the unfortunate girl is compelled to engage herself to the Count. To celebrate her engagement, her father gives an elaborate reception. During the festivities Bertha joins Franz, and they run away to be married. Three happy years follow, and a little child makes glad the heart of the parents. Franz, through unfortunate speculation, becomes indebted to the Count, who insists upon being paid. To add to his distress, his child is stricken seriously ill, and only the attention of a celebrated specialist can save it. In her distress, Bertha is forced to humbly seek assistance from her mother. Successful in her quest, Bertha returns home. She arrives as her husband is pleading for more time to pay his debts. Realizing her husband's position, she pays the Count's agent with the money she has just received from her mother, forgetting her child's condition for the moment. The neglect proves fatal, and death claims their child. Overwrought by her grief, the mother's mind becomes unbalanced. Even after the child has been laid to rest, the little one still lives in the mother's imagination. Her sad condition breaks down the barrier between her father and herself. Thinking to ease her mind, Franz takes her to the plot where the child is buried. Returning home, she broods over the fact that her child lies in the cold ground, and in spite of the fact that it is mid-winter, she rises in the dead of night and starts for the child's grave. But the grim hand of death claims her ere she reaches her destination.
- TV Movie
- Grown-up contestants have to answer to ten questions of school knowledges of the first five grades. In this "classroom" there are also 5 students at the age of 10-11, who the contestant choose one and becomes his "bank-neighbor". So, the bank-neighbor can help him, if he doesn't know any more. In detail the jokers are: "Lard": The contestant can have a look to his bank-neighbor, what he has written and can decide, if he take his answer or another one. "Crib": The contestant has to take the answer of his bank-neighbor. And the "Last Rescue": If the contestant has given an answer and it's wrong, his bank-neighbor can helps him to stay in the classroom (in case of his bank-neighbor has the right answer). If he has no joker any more and he answers wrong, or he leave the school instead to answer, he must to say "(translated:) That knows yet every child, but I just not".
- Having grown up in a foster family from the age of eight months, at now 30 years Gloria Dürnberger films how she confronts her mentally unbalanced birth mother.